Composición con su respectivo arreglo de un tema para la obra ecuatoriana “Pobre, Fracasada y Gorda", con recursos orquestales de Nadia DiGiallonardo en el musical “Waitress".

Abstract

This research is based on the need for unpublished compositions for Ecuadorian plays, specifically for the musical "Pobre, Fracasada y Gorda" (Ecuador, 2017), which in its history evidences a social problem that its characters and the ones from the American Musical "Waitress" go through (United States of America, 2015). That is why a creation for the national theatrical work is proposed, using the orchestral resources of the arranger Nadia DiGiallonardo in "Waitress". The development of this degree work, involves several stages for research: through audiovisual observation, research in bibliographic sources (books, articles, texts) related to this branch, you can determine the musical characteristics of compositions in Musical Theater and on the other hand, the aspects that should be taken into account in the preparation of the same, starting from its conception with the joint work between the scriptwriter / writer and arranger. The projection of this work, serves as a guide or guide for Ecuadorian musicians who want to venture into new artistic scenarios, such as the Musical Theater, delivering certain theoretical guidelines that contribute to the development of potential arrangers and composers.