Rescate musical del pase del niño viajero : transcripción de ocho villancicos cuencanos en formato banda de pueblo.

Abstract

The following thesis, focuses in the creation of a Christmas carols anthology, the result of a recopilation of eight traditional tonos del Niño from Cuenca, that survive in the interculturality of the communities interpreted in the religious processions by marching bands of Baños parish. This tradition is preserved by the way that the instruments are played in the oral musical representations, that commemorate the “Pase del Niño viajero”. However there is no record that helps the permanence of the cultural richness of this religious tradicional practice that is recognized as cultural heritage. This investigation used methodology based in a cualilative focus, that reaches a descriptive ethnografic type, a no probabilistic simple was chosen by the nature of the phenomenon. The participatory rol of the investigator made possible a cultural instrospection, because he belongs to the investigated community. Is so far as the methods and investigative techniques, it was considered for the job: interviews, focal groups and life experiences. Also, the documentation analysis like musical scores. The observer partaker rol as instrumentalistin the marching band “Patricio Bustos y su banda musical” where the investigator lives and saves the experiencia in a documentary record. In the results of the investigation it was achieved the recopiltacion and the transcription of “Tonos del Niño” in marching band score, respecting the organization of the “Pase del Niño Viajero” procession. The auditive observation focuses in the instrumentation for the creation of musical transcriptions, thanks to the investigator´s skills of perfect pitch. As the result of the investigation, a Tonos del Niño Anthology for marching band, was developed, respecting religious and musical representation of the Pase del Nilño Viajero.