Ensayo sobre la dimensión filosófica del Cine: aproximación simbólico-crítica en 3 filmes ecuatorianos.

Abstract

The idea of ​​exposing the relationship between cinema and philosophy, at the time came to bother some classical philosophers, however, other philosophers and filmmakers, have made more and more studies and theories that guarantee this relationship. Cinema and philosophy are perhaps, two definitions that, in some moment of history, it was not thought that they could relate, however, with the evolution of science and the film industry, every time it became more evident that there is a crossroads of thoughts between science philosophical and the seventh art. Here are some of the most important references influential in the philosophical and cinematographic field, among the most relevant for this essay they are: Gilles Deleuze, Henry Bergson and Dominique Chateau. This degree work proposes a new way of reading the cinema Ecuadorian, as seen from the point of view of philosophy, rather than from the artistic or commercial point of view, making an analysis of the elements that owns the Ecuadorian cinema that provoke reflection.