Aproximación teórica de la estética del cine musical clásico estadounidense y su repercusión en las películas contemporáneas del siglo XXI.

Abstract

Careless research on the aesthetics of classic American musical cinema drives the creation of this article that theoretically approximates its characteristics depending on the scope and permanence that underlies musical films of the 21st century. The look of authors such as Aumont, allow to approach conceptual aspects of audiovisual aesthetics and collaborate in the study of their constructive units, as well as in the significance of their qualities. From the qualitative perspective, some classic and other films of the 21st century of similarity are analyzed. The results show the aesthetic characteristics of greater recurrence as allies of its importance. Consequently, the limitations and perspectives facing the study of this genre are discussed, concluding that in the typical renowned musical cinema there are common distinctive features and aesthetic resources that have been sustained in much of its style, inherent to the plot development even in current cinematography.