Composición de un tema inédito utilizando recursos musicales de los temas “Señor ten piedad” y “Gloria” de la misa popular ecuatoriana del compositor Juan Carlos Urrutia.

Abstract

The following curricular integrative work was developed with the purpose of contributing to the composition of Catholic sacred music using the traditional musical genres of Ecuadorian music such as the danzante, the yaraví and the albazo, identifying and applying the musical resources found in the “Señor ten Piedad – Gloria” by the Guayaquil composer Juan Carlos Urrutia. This research has a qualitative approach, with a descriptive scope. To collect data, the following were used: documentary analysis, interview, score analysis, audio and video recording analysis. Upon completion of this degree work, the melodic, harmonic, rhythmic resources and orchestration techniques used by maestro Juan Carlos Urrutia in the themes analyzed were obtained for their application in the unpublished composition. It is hoped that this work serves as a model for the composition of liturgical music, with the correct inclusion of the folkloric genres of each country. It also seeks to contribute to the dissemination and application of traditional Ecuadorian musical genres for the Roman Catholic liturgy.