Música Puruha, música utilizada en la comunidad de Sicalpa, Colta. Creación de temas con recursos de armonía modal.

Abstract

This research is seem as a foundation in the composition of two new music themes that use indigenous ecuadorian riualistic music and modal harmony resources. It has a qualitative perspective with a descriptive and exploratory scope where a transversal job role is implied by using empirical methods as the study of audio recordings, a theroretical method to define concepts, analysis and synthesis to study musical sheets and theory obtained from diverse sources. The “tonos” analized of ritualistic andean music are Anchay Muchumi Agradecini, Tuli Tuli and Loma Asomay Tono, those were collected from the book of ethnomusicology “Sicalpapi kawsakkuna ñukanchik kikin tunukunata takikunatapishmi charinchik” made by Pastoral Indígena de Sicalpa and Unidad Educativa Bilingüe Pachyachachikcomunitary extension of Sicalpa, where rythmn and melody were the resources taken. The analyzed modal harmony themes are Milestones andResolution that contribute as an influence in the use of musical form or structure and contemporary harmony. As a result Wawa Kuyaylla and Jaway were conceived as a musical experimentation that gives adifferent aproach to the performance and composition of ancestral music, being concerned of the philosofy and microtonal andean thought.