Análisis y evolución del cromatismo de las piezas más relevantes del cine de Sebastián Cordero.

Abstract

The following academic product is a study focused on the chromatism present in the most representative works of the Ecuadorian filmmaker Sebastián Cordero, in order to determine whether or not the filmmaker handles concepts related to chromatism within his works or whether there is some change in them as time passes. Within this study is mentioned the history of Ecuadorian cinema, the relevance of the filmmaker Sebastián Cordero within it, forms of use of color, as well as the psychology of these. Among the techniques and applied methodology are the review of literature of academic thesis, journals and books; as well as qualitative analysis and non-participating direct observation of the films selected as a sample ("Ratas, Ratones y Rateros", "Crónicas" and "Pescador"), which allowed to perform the analysis of psychology, temperature, application forms and luminance of the dominant colors of each film. A scheme was also created that would facilitate the detection of the dominant colors of each scene and the purest form of each. Similarly, it was possible to determine whether or not the filmmaker presents an evolution of chromatism between the three works.