La comedia y el contenido humorístico en las teleseries ecuatorianas del horario estelar en el primer semestre del año 2017. Casos : "Tres familias", "Cuatro cuartos" y "Lo que está pa' ti".

Abstract

The present titling work is based on the content analysis of the Ecuadorian television series: "Tres Familias" by Ecuavisa, "Cuatro cuartos" by TC Televisión and "Lo que está pa‘ti" by GamaTV. It will reveal what types of humorous resources they use to transmit their messages and represent Ecuadorian society, in order to capture the attention of the audience and gain indexes of harmony. Updated concepts on comedy and humor types will be presented. The present titling work is based on the content analysis of the Ecuadorian television series: "Tres Familias" by Ecuavisa, "Cuatro cuartos" by TC Televisión and "Lo que está pa‘ti" by GamaTV. It will reveal what types of humorous resources they use to transmit their messages and represent Ecuadorian society, in order to capture the attention of the audience and gain indexes of harmony. Updated concepts on comedy and humor types will be presented. Based on the definitions of Representation and imaginary, we will analyze how the representations represent the Ecuadorian society. The various stereotypes and identification elements will be exposed. It will mention the criteria of directors, screenwriters, librettists, actors, viewers about stereotyped characters, through in-depth interviews. The comments of the focus group will also be analyzed. Finally, the parameters used to represent Ecuadorian society will be established in the television series "Tres Familias" by Ecuavisa, "Cuatro cuartos" by TC Televisión and "Lo que está pa 'ti", and if these telecommunications can be considered as a mirror of the reality of the Ecuadorians. The present titling work is based on the content analysis of the Ecuadorian television series: "Tres Familias" by Ecuavisa, "Cuatro cuartos" by TC Televisión and "Lo que está pa‘ti" by GamaTV. It will reveal what types of humorous resources they use to transmit their messages and represent Ecuadorian society, in order to capture the attention of the audience and gain indexes of harmony. Updated concepts on comedy and humor types will be presented. Based on the definitions of Representation and imaginary, we will analyze how the representations represent the Ecuadorian society. The various stereotypes and identification elements will be exposed. It will mention the criteria of directors, screenwriters, librettists, actors, viewers about stereotyped characters, through in-depth interviews. The comments of the focus group will also be analyzed. Finally, the parameters used to represent Ecuadorian society will be established in the television series "Tres Familias" by Ecuavisa, "Cuatro cuartos" by TC Televisión and "Lo que está pa 'ti", and if these telecommunications can be considered as a mirror of the reality of the Ecuadorians. Based on the definitions of Representation and imaginary, we will analyze how the representations represent the Ecuadorian society. The various stereotypes and identification elements will be exposed. It will mention the criteria of directors, screenwriters, librettists, actors, viewers about stereotyped characters, through in-depth interviews. The comments of the focus group will also be analyzed. Finally, the parameters used to represent Ecuadorian society will be established in the television series "Tres Familias" by Ecuavisa, "Cuatro cuartos" by TC Televisión and "Lo que está pa 'ti", and if these telecommunications can be considered as a mirror of the reality of the Ecuadorians.